The Pro 2 is without a doubt more feature-rich, but the moog isn't exactly lacking much in its own right. The MatrixBrute gives you 3 Analog VCOs with two Subs, while the Pro 3 offers 2 Analog VCOs, plus a digital morphable wavetable oscillator for additional sonic territory. You should ask yourself if you want if do that or not. To me, the biggest differences are: 1. On the other hand, the Matriarch is paraphonic so it can play up to four notes at once. If you're looking for something with greater flexibility and a wider sonic range, the MatrixBrute and Sequential Pro 3 are your top targets. Modulation and Sound Design Depth: The Moog Subsequent 37 has modest sound design capabilties, with two mod busses, two envelopes and one LFO. I have a moog sub 37 for five years now. It’s by no fine margin either, with nearly $1000 separating the two. and more. I think it might be the best bang for your buck among the 4 synths. If you're a keyboardist looking for a synth for leads, bass lines, and all-around sonic experimentation, don't sleep on these: they're as powerful as they come, and they contain a number of distinct features and sounds that you'll only get from a Moog. In this article, we’ll break down the key features, specs, and sounds of each in order to help you decide which motherly Moog is right for your musical needs. This allows for complete deconstruction of the instrument's default architecture, turning each of its individual modules into raw elements that can be recombined to form completely new behaviors. If it was going to be my only synth I’d ever have though, I’d probably take that Pro 3 trade though because it just has so many great features that the 37 doesn’t (including 3 notes of paraphony instead of 2), and also includes a ladder filter. - You are Active. Pretty solid. To me the appeal of the Pro 3 is simply how flexible the architecture is, the sequencer, patch memory, and the built-in FX. Without digging into the potential offered through patching, the default path starts first with four oscillators and an internal noise generator. In terms of the Grandmother’s patchbay, it has 41 points that you can use to reconfigure the synth, as well as connect it to external modular and semi-modular gear. I think it’s one of the best sounding synths I’ve ever heard and you’re getting 4 note paraphony. Its talented, innovative engineers have crafted countless modular, semi-modular, and keys-based synths. Also, the fact that both the grandmother and the matriarch have semi-modular functionality, also opens the door to eurorack world, and/or more semi modular kit, which is all kinds of ridiculous fun. I'm not rich and this is a hobby (that I am trying to make something of) but I can't buy whatever I want whenever I want. The Subsequent 37 has the multidrive and patch making ability, while the Matriarch has the semi-modular design and is paraphonic. Based on the legendary Moog CP-3, it shines as an audio mixer, providing a delightful-sounding distortion when driven hard (perfect for overdriving the filter). I kinda hated it when I first got it home. If you’re not planning on getting into modular and/or patch memory is important to you (as it was for me), I’d go with either the Pro 3 or Subsequent 37. Finally, let's talk the Matriarch. The two envelopes pack astonishing modulation power into a deceptively simple set of controls. $199 is definitely alright with them, but $1,500+? If you think about synths as musical instruments instead of pieces of hardware, it is totally okay that you can't save presets. The Subsequent 37 (I own the Sub37: listen to my Parallels track for a taste) has a typical Moog Sound, very round and deep, but is also capable of strings and of all sorts of modulations. Create an account to follow your favorite communities and start taking part in conversations. financing* I own or have owned all but the Pro 3. Lol. The Moog Matriarch is the newer, larger, spiritual successor to the Moog Grandmother. Though it’s a difficult decision and both of these instruments would be a great addition to your arsenal, we’re going with the Grandmother as our winner. The Subsequent 37 is a (2-note) paraphonic analog synthesizer that builds on the award-winning design of the Sub 37 Tribute Edition. The MatrixBrute and Pro 3 both offer advanced step sequencing implemenation and parameter modulation options. Grandmother synth with a multiple, attenuator, and an additional filter. THOUGHTS ON EP. If you bought the matriarch new, it should come with patch cables. Lots of tweaking. Moog Subsequent 37 Analog Keyboard Synthesizer, you can access Nicholas Semrad's custom Subsequent 37 patches here. Minimoog, Matriarch, Grandmother, Sub 37, and More | Reverb. The steel chassis, wooden end cheeks and aluminium curved back panel look as beautiful as ever. But with all that in mind, it does command a higher price; the Matriarch retails for $2199 USD. Set at low enough time intervals, the delay can easily pull off the sound of a lo-fi reverb (all the better in ping-pong mode with each delay at slightly different rates), and when subtly modulated can produce lush vintage chorus effects difficult to achieve through other means. Moog Matriarch Synthesizer Moog The Matriarch is a powerful, semi-modular analog synthesizer from Moog. It's completely FREE! Definitely read the manual in the meantime and Sweetwater has a pretty good Matriarch deep dive on YouTube. As long as you’re looking at this as primarily a studio instrument, or if your live performance needs do not require things to sound exactly the same all the time. Now someone has offered me to trade it (and my strymon volane) for a Moog Matriarch. All of the oscillators can be synced together, and also have frequency and pulse width modulation inputs. The MatrixBrute takes the round with its 12 CV ins and 12 CV outs, plus Gate and Sync. It really invites you to explore the patchpoints, but you'll quickly be wishing for some more mults and attenuators. As I said earlier, many paraphonic synths attempt to maintain the illusion of being truly polyphonic...but Matriarch takes full advantage of all of the potential oddities that such an open-ended architecture provides. The last thing I'll say about this synth is that it definitely has that unstable VCO quality that really keeps it feeling alive. They are automatically replenished each day. However, if someone offered to swap me a Pro 3 for my 37, I personally wouldn’t take that trade because I love the sound of it, and intentionally picked it over something polyphonic for starting out. We had the opportunity to spend some time with the Matriarch when making our demo video, so it seemed worthwhile to share some thoughts about what makes it different from the typical keyboard synth—and well, there is quite a lot to cover. Basically, if this is going to be your only synth ever (good luck with that), I’d probably go with the Matriarch or Pro 3 depending on your interests. My first synth many years ago was a MicroBrute, I haven't touched Arturia since. Two years ago Moog launched the Grandmother — a fine entry-level monosynth with a name that we've learned to live with. The source for each buss can be a dedicated per-buss LFO (with triangle, square, saw, ramp, and stepped random shapes), the filter envelope, or any of a number of programmable sources ranging from CV inputs to performance controls and more. The build quality is pretty damn nice. The Long-Awaited MPE Synth + Controller Is Here! I don't get annoyed at my pedals for not being able to make patches of different sounds. Afterall, I can't save presets on guitars and pedals so what's the big difference with a synth? Start with those and then expand if you really need more. How important are presets to you ? Ultimately you are trading a Moog with a great delay for a Moog with a great delay. By Pretty much the opposite of the patch-memory synths where you spend hours programming your specific sounds that you want to be exactly the same every time. To gain more daily download tokens, become a contributor! Following in the steps of the Korg Mono/Poly, each oscillator can have completely different settings—this combined with the basically full modularity of the signal path makes it such that Matriarch can get super weird super fast. . love youEngineer @olarochmusic SM MasteringMixing and Mastering ServicesTop 1 Beatport Mastering@smmasteringPlaylist Olarochhttps://www.youtube.com/watch?v=pdbdVkheZ78\u0026list=PL0Gg3MrZ3euGl3jDSNR9Ut4XdqD9jDnQx#moog #moogsub37 #moogmatriarch Stereo analogue delay module Moog Matriarch Semi-modular Synthesizer Keyboards Synthesizers By Gordon Reid Published April 2020 Much more than just an expanded Grandmother, the Matriarch has all the makings of a classic Moog synth. Click the button below to continue to Signup Page. With the new Sequential Pro 3 entering the ring for contention of heavyweight champion of Flagship Analog Mono Synths, we take a look at the top three options on the market right now. Restore formatting, × Matriarch has no obvious pigeon hole, no directly-stated mission—instead, when using it, I couldn't help but feel that it could fit anywhere. Should I study the manual and watch tutorials? Take a hard look at the Sequential Pro3 before making your final choice. Click on PREFERENCES-AUDIO and select your interface as the AUDIO INPUT and AUDIO OUTPUT device. Don't forget—you can access Nicholas Semrad's custom Subsequent 37 patches here; they're a great place to start your explorations of this insanely deep instrument, sure to drop you straight in the middle of blissful, artfully-crafted sound worlds. The Grandmother’s spring reverb is the favorite to our ears over the delay of Matriarch. Following in the style of the Grandmother, Matriarch sports a loudly-colored front panel, all-analog signal path, and a semi-modular signal flow with tons of Eurorack patch points. It also has a sample and hold output for additional random modulation. Moog Subsequent 37 Analog Synthesizer. The 37-note keyboard is both velocity and pressure-sensitive, making it an expressive instrument perfect for performing musicians. It also features an expression pedal input. If you’re thinking of eventually getting predominantly into modular or patch memory isn’t important to you for whatever reason, I’d say Matriarch hands down. I've personally never played a synth quite like this—most paraphonic synths attempt to maintain the illusion of being fully polyphonic by making each "voice" conform to the same settings, but the Matriarch's independence between oscillators is a definite strong suit, leading it into territory I've never found with a self-contained analog instrument. Is there any advice you have for me when I first get it? The Minitaur is cheap, the Sub 37 is roughly three times the cost, but still very reasonable. Immediacy vs Memory: The Sub 37 is great for perfecting a sound and saving it memory and recalling it later. It's an instrument you'll love for a lifetime. The reason I've also considered the Matriarch is it seems a bit creamier and old school in the demos than the 37.   Pasted as rich text. For the best experience on our site, be sure to turn on Javascript in your browser. Has over 90 patch points. Subsequent 37 excels at duophonic harmonies, gritty feedback and distorted textures, flurries of spastic modulation, and compelling sequences. Edit: Thanks everyone for your replies! I want to get a Moog because of all the synths I listened to, I like the tone of the Moogs the best. Arturia MatrixBrute In summary , I'd get the Subsequent all day, and practice some discipline with the mixer and drive, and explore he different filter slopes. It's worth noting that the mixer, which might seem dull on paper, is actually a powerful tool in the context of the entire instrument, as it's the most focused area for gain staging. K&M 18976. Moog’s Grandmother has a 32 note keyboard with velocity sensitivity, which can be routed to a number of destinations via the patchbay. I love my Matriarch, I would do it all days of the weak, its a really good deal! There are so many amazing tones to be had. The Moog Subsequent 25 appears to be a compact, less expensive option than the popular Subsequent 37. Interestingly, though, it is DC-coupled—meaning that it works equally well for mixing control voltages as it does audio. Modulation and Sound Design Depth: Of course, the Matriarch provides all the niceties one would expect: MIDI via DIN and USB, sustain pedal input, expression pedal input for additional CV control, and, as we've discussed, direct access to all parameters right on the front panel. 37 should be a keeper i think. Moog Matriarch Semi-Modular Analog Keyboard Synthesizer. Happy to never go near it. Matriarch/Grandmother line is interesting if you want to communicate with modular points, but can't come close to Subsequent 37 features. Cart. The Minitaur will give you a fantastic Moog bass sound in a compact package. Any Moog synth will give you a variation of that classic Moog sound—but which one is right for you? Oh hang on, that is the only good thing you can say about them! In spite of some of it's limitations, it can offer a lot of fun and interesting patching experiences. 1 SEM OB-6 State Variable (LP, HP, BP) - 12dB, © 2023 - The Preset Patch. I mostly listen to music from the 70s like P Funk and such and the matriarch has definitely fulfilled my desire to have Bernie Worrell esque synth sounds on hand. 8:21 . Corry Banks on His Newest Drum Synthesizer and Audio Processing Modules. It's a classic Moog ladder filter with some twists. The MatrixBrute offers some good sounding fully analog effects, including delay, chorus, flanger, and reverb. I've owned the Matriarch and wish I could have kept it, it's a lovely instrument. 4 Voyager-based analogue oscillators with osc sync. Moog Subsequent 37 Sounds Watch on At the end of the day, the Subsequent 37 is a surprisingly powerful instrument; now even years beyond its release, its feature set seems to include everything that a monophonic keyboard synth should and more. The Grandmother may only be a mono synth, but the smaller form factor and lower price make it a better buy in our eyes. For tone character, I'd say the Sub can get a little more edge and Matriarch can get a little more creamy although both can do creamy and edge beautifully. The matriach is quite a bit bigger I would say - its another octave for a start. With nothing patched to the external input, this final level control injects feedback from the instrument's output back into the mixer—recreating a trick that Minimoog users have been enjoying for decades, turning even the simplest of synth sounds into gnarly, distorted drones and explosive bass tones. Another deciding factor that may come down to personal preference is the effects. But the Matriarch is much more than just an expanded Grandmother. Both have strengths and weaknesses. Arturia gives you a lot of value for money. The piano connects to the Bloefeld, for other tasks. the Grandmother and the Matriarch are very similar in terms of design and sound, Grandmother’s analog spring reverb sounds great. This makes the Grandmother the clear winner in this category. Biggest neg NO presets. The Subsequent 37 offers a filter drive circuit, but no output effects. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. It can sound really big and warm or very small and brittle. The MatrixBrute, which I recently acquired, is a really weird and fun monosynth. But you will tap into Eurorack land if you not already have done that. The tuning is so stable that you only ever really notice a lot of drift when in duo mode, and while that is great for touring, I don't know if I consider that a firm positive. And of course, it should go without saying that these filters carry all of the expected weight of a Moog filter: they sound staggeringly huge and shockingly smooth. Because all oscillators share the same filter, VCA, and envelope section, notes cannot have fully independent levels or articulation. For the best experience on our site, be sure to turn on Javascript in your browser. The patchbay on the Matriarch has 90 patch points for lots of patching potential. I would pick the subsequent every day, but I like presets and cant be bothered wiring stuff up, did that in the past, don't need to now. Smooth leads and growling basses to staggering walls of sound...it's all there! There are too many analog monos, I have choice paralysis even though I'd likely be picking between the Matriarch and Pro 3. Matriarch or Subsequent 37? REALLY: It depends really on presets, what sound you like better, and do patch points matter to you. I have considered other manufacturers but would like to stay with Moog and expand on what I've learned with the LP (which has a similar control layout to the Sub). The Matriarch has a lot of flaws and corners-cut . You now have (0) download tokens remaining. Matriarch does not offer a preset system, but in practice this did not cause any problems; because every parameter is so immediately accessible, you can navigate fluidly from one sound to the next without any worry. Moog Etherwave Theremin. Moog Matriarch. They can be found cheaper. Upload some of your personal patches, like some downloads you enjoy, and your daily download tokens will increase. Also worth noting: the filters do self-oscillate with ease, and produce a very clean sine-like waveform.   You cannot paste images directly. You have to change your workflow a bit, but where I use the Matriarch now is either really lush sounds that I play on top of something, freestyle, or sync things up and use it's arpeggiator. Please don’t tempt fate, I still haven’t opened a synth I bought from them in January and dread to think the nightmare of having to deal with a post-Brexit return. plus it would give you an idea of how much you would like the matriarch. Me personally, I replaced a Subsequent25 with the Matriarch, and I would always do it again. I would say the matrriach doesn't have a lot going on in the menu department! Providing fine-tuned control of all of the instrument's sound sources, it's more than just a set of level controls: it's a way of determining the response of the filter itself. It offers two oscillators, a suboscillator, noise source, integrated mixer feedback path, a variable-slope filter, a multidrive circuit, two looping envelope generators, two mod busses with dedicated multi-shape LFOs, arpeggiator, step sequencer, and extensive MIDI/CV control options. Programming & key skills have improved (albeit from zero). Moog One vs Matriarch Sound? Matriarch's four oscillators provide the option for monophonic behavior, two-note paraphony, or four-note paraphony—meaning that Matriarch is fully capable of chords and complex layered sequences. You have to view it as a non-preset machine obviously as that's what it is, but that kind of frees you up a bit more as you don't have to think about what patch to select. As you likely know, Moog has been making synthesizers for nearly 60 years—from their vintage modular systems to genre-defining instruments like the Minimoog, polysynths like the Memorymoog, and much more. The Matriarch has 42 keys, 4 note paraphony, a stereo signal path, and more features that give it an advantage over the Grandmother. One of my favorite patches in the video involves a trick where a bass note is constantly held in the left hand while the right hand plays a series of faster four-note patterns; by using three oscillators with different settings to play four-note sequences, bizarre patterns start to emerge, creating more complex rhythmic and melodic structures than the underlying keyboard technique would yield in other circumstances...kind of like an odd manually-operated arpeggiator/sequencer. would also have to depend on how happy you are with the 37. While raw sound of oscillators and filters somewhat makes Grandmother more barky and aggressive, it is Subsequent's creamy darker tone that most of the people call "that moog sound". So for me, knowing that I’ll probably want to pair it with something like a Prophet 6 down the line, I’m glad I got the 37. Again, the similarities to the Sub Phatty are legion. £55 380. The Pro 3 sequencer is a winner with dedicated buttons to switch phrases in real time, and deep modulation options for parameter sequencing. And while there are dedicated internal routings from the internal LFO to the oscillators' pitch and PWM mod inputs, having direct patchable control of these parameters means that considerably more nuanced and independent modulations can occur: several oscillators whose pulse width changes independently, or whose pitches drift toward and away from one another. I have owned both synths,the subsequent 37 is gone and the matriarch is staying! Generative patches are easy to create—one could even use the keyboard to drive a simple paraphonic synth sound while a generative voice does its own thing independently. With that said, I think all of the other synths sound either just flat-out better or have a clear character that you either like or don't like. Bax has some UK premises so VAT is paid at point of sale. A big difference between the two synth’s sounds comes down to the onboard effects. Its control panel has 40 knobs and 74 switches, placing a vast arr Show More Specs Subsequent 37 Specifications: Sound engine: 100% Analog Polyphony: Selectable Monophonic or Paraphonic The Sub 37 or Subsequent 37 offer a wide sound range (with no patching) and patch memory. All Rights Reserved. the delay is amazing and it all can get sorta juicy, but think maybe its vintage-ness could also be its limitation. Notably, the oscillators also offer a "duo mode," accessible via a front-panel switch; when engaged, the oscillators can be independently addressed from the keyboard. There is a built-in analog spring reverb with mix control in the Moog Grandmother. Fully agreed. How do I enable the spring reverb on Grandmother? The recent release of Moog's Mavis has given us reason to take a closer look at Moog's current lineup—and frankly, it's pretty incredible to see everything that they're currently making. Memorymoog. No, both are analog and semi-modular, so you can save configurations by patching the synths, but there are no presets that can be recalled. Obsessed with synthesizers: hardware & software, Press J to jump to the feed. But if you can only get one I think you should figure out what features are most important to you and move forward that way. Terms and Privacy. I would do it, but that’s coming from a guy who wants a Matriarch. Hi there, I was just wondering if anyone could tell me the biggest difference between the sub 37 and the grandmother besides the semi modular setup and the two note polyphony.
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