Hortense (Nathalie Baye) is a strong, controlling rural matriarch who is up to handling the many challenges and setbacks that come her way. The story unfolds gently, slowly as one would expect of 1915 farm It’s a betrayal in the domestic realm, rather than the tragedies reported from the front line, that forms the crisis of the drama – an act of treachery that constitutes a war crime within the women’s world of work, grief and preparations for peace. I found it strangely hopeful. Francine loses her job, finds refuge in the household of a war widow, and resolves to raise her son on her own. There are many scenes that stand out before, during and after the silent French painters stunning art ? Repeated images of women labouring, the changing of the seasons, the devastating appearance of an official bringing news from the trenches all prolong the film’s generous running time. [5], Last edited on 24 September 2022, at 20:58, "Toronto Film Festival 2017 Unveils Strong Slate", https://en.wikipedia.org/w/index.php?title=The_Guardians_(2017_film)&oldid=1112134266, This page was last edited on 24 September 2022, at 20:58. As the first two shots explain, the men are off dead and dying on the battlefield. And the melodrama that ultimately accompanies it becomes the film’s downfall. Producer Sylvie Pialat gave the novel, which has never been translated into English and which was a favourite of her grandfather’s, to Beauvois to adapt. While it’s fascinating to watch Francine as she ages and claims her feminine strength, the flimsy misunderstandings and hurt feelings that come to characterize her—and her relationship with Georges—grow tedious. The rules for making nouns feminine apply only to people and some animals. They were thoughtful, curious, and – in the main – appreciative of the film. 25 minutes in and one woman had employed another woman to help with harvest then lots of women were cutting wheat. Hortense, played in the film by Nathalie Baye, is a formidable character, not to be crossed. Fascinated by the idea that the women whom the men left behind when they went to fight in the Great War, became the 'gardiennes' of their rural way of life, I picked up Pérochon's book. The endings au, eau, and eu take an X for plural: Noun: un tuyau (pipe, tip)Masculine singular   un tuyauMasculine plural   des tuyaux, Noun: un château (castle)Masculine singular   un châteauMasculine plural   des châteaux, Noun: un feu (fire)Masculine singular   un feuMasculine plural   des feux. This richly compassionate, fiercely acted and beautifully shot period drama is about the second conflict, the battle of wills on the home front, as its characters struggle to maintain a family farm in the Deux-Sèvres region of western France. And in Nathalie Baye, Laura Smet and newcomer Iris Bry, he has three very different actresses through whom to explore the film’s themes. The Guardians is also an unignorably beautiful film, bursting with Caroline Champetier’s painterly and serene compositions of the fields and forests soaking in mist or illuminated by golden early evening sunlight. Americans set up base nearby and trade with the farm. les gardiennes ending explainedintervention technicien orange ouverture ligne. The Guardians (Les Gardiennes) - Cineuropa THE GUARDIANS by Xavier Beauvois synopsis 1915. Beauvois is someone who takes the time to show people who are not often seen on screen go about their everyday life, their toil. By 1917, the wheat crop was only half as plentiful as that of 1914, and the army, having requisitioned well over two million cattle, had reduced the supply of animal fertilizer, on the one hand, and milk, on the other. She now appears not as a mother devoted exclusively to the care of her child but as a modern woman earning her keep as a chanteuse with bobbed hair. The characters are so believable. Two themes emerge as dominant motifs:  rural France succeeded brilliantly in its mission to preserve and, indeed, enrich the land; and the arrival of American troops unsettled the social and moral foundations of village life. When the going gets tough, Hortense hires Francine (Iris Bry), a young woman who surprises everyone with her diligence and effectiveness working in the fields. Watching Smet and Baye perform together, two sloe-eyed beauties working that mother-daughter dynamic, is fascinating. Unaware that Francine has accumulated several hundred francs in savings, more than enough to make her a good match, Hortense purposefully poisons the romance by suggesting to Georges that Francine is, in fact, nothing but a strumpet, all too ready to share her favors with the brash, loud-talking American troops biding their time before being sent into action on the Western Front. A story beautifully told that's certainly open for interpretation. Not for the impatient, but it will be appreciated by those who can take the time to let it have an effect. Ernest Pérochon, 'Les Guardiennes', Métive, La Crèche, France, 2017. If you love film, sit back and enjoy a wonderful story that differs from the usual WW1fare. Situated in the village of Sérigny in the bocage region of western France, Les Gardiennes tells the rich, complicated, and tragic story of how the Misanger family, led by its indomitable matriarch, Hortense, struggled, suffered, persevered, and ultimately triumphed (albeit at considerable cost to its moral integrity) during the Great War. And, indeed (as Mary Louise Roberts reminded us in Civilization Without Sexes) even an unwed mother could garner the gratitude of a nation so sorely depopulated by the Great War. Simply enter your email address in the box below, Period accuracy is limited to the asthetics, No matter the gruelling drudgery, we are are still watching a trio of classy French actresses. [4] This, at least, is a lesson I took away from a screening of the film this summer. Those who feel as though they must guard their family's name. That messiness is interesting. that is something rarer, more difficult and less noticed in the world." And speaks beautifully. In France they just put her in front of a camera and magic happens. All because of the Americans. Later he becomes a prisoner of war. And as I have pointed out in previous reviews, a viewers Like a series of Monet paintings come to life, the historical drama “The Guardians” luxuriates in lush, widescreen images of the French countryside. The second is an elegant wide shot of farmland, with a grey-haired woman driving a horse-drawn plough. Where America has Rosie the Riveter as its poster girl for the women who pitched in during WW2, France can now point to “The Guardians” with pride. On either side of a card announcing the year as 1915 are two shots, presumably from two separate regions of France but by implication simultaneous. Team, ThoughtCo. Most powerfully, these women are shown hacking neatly at the haystalks with hand scythes in one extended and especially elegant tracking shot of the harvest. This ending strongly suggests that the war marked a moment of cultural - as well as economic - transformation, the moment when rural France became truly modern. Also, there are quite a few French nouns with different meanings depending on whether they are masculine or feminine. All other cinema pales by comparison. The Guardians is directed by Xavier Beauvois, terrifically shot by cinematographer Caroline Champetier, and adapted by Beauvois, Frédérique Moreau and the film’s editor Marie-Julie Maille from a 1924 novel by Ernest Pérochon, the teacher, Goncourt-winning author and first world war veteran who in 1940 refused to collaborate with the Vichy regime, had his books banned and finally died of a heart attack brought on by the stress of daily Gestapo harassment. Ending / spoiler. Poor Georges in the audience is still enchanted by her and will never know his loss. Solange compares the agony of awaiting her husband’s return to living in a bad dream, a psychological torture. Variety is a part of Penske Media Corporation. As the priest says, at one gloomy Mass where the names of the latest war dead are declaimed to a congregation of stricken women, we should “take pity on those who weep”. In both cases, she opts to keep her baby, rather than place him for adoption. isabelle a les yeux verts indochine; le roi d'arabie saoudite est mort 2020; voyage de noce tunisie turquie; Hortense says the old life is returning: the children bicker and she likes it that way. Although newcomer Bry is a captivating presence, doing an impressive job of carrying much of the film and its emotional weight, and Smet broods powerfully as the tormented Solange, this is unmistakably Baye’s film. It is, however, worth pondering:  why does he propose a fate for Francine so different from that suggested in the novel? The pure honesty of the portrayals and scenic cinematography was compelling. This story of rural prosperity and modernization has the happy effect of applauding the resolve of France’s rural women, but it overlooks a more prevalent reality:  the hard work of these resolute women notwithstanding, most of rural France did not prosper during the war. While the school kids learn a poem about the inhumanity of the Bosch (translation: Krauts), a returning soldier shares his contrary wisdom: the enemy German soldiers were just like their enemy French, simple ordinary folk thrown into a conflict neither of their making nor of their will or understanding. The second half is much better and the story is quite engaging in the end. We catch a glimpse of the horrors of war at the very beginning as he pans silently across a battlefield, with lifeless bodies strewn about in the mist. Hortense sees them leave the church in a carriage and appears taken aback. It’s a moment of fleeting happiness and confidence that is crushed by two subsequent brutal blows from the front, and it exacerbates the agony of what lies ahead for Francine. Geoffrey Wawro, “How ‘Hyphenated Americans’ Won World War I:  Nearly a quarter of the men sent to fight in Europe in 1918 were foreign-born,”. With her blazing red hair and milky, fair skin against a backdrop of the farmhouse’s bright blue door, Francine stands out from the moment she arrives, and she’ll eventually serve as the catalyst that shakes things up for the whole family. Subscribe now for exclusive offers and the best of cinema. Spirituality & Practice. It’s when peaceably moulding butter pats with floral motifs that Hortense and Francine become close, and make plans for the future. The final letters eur have two possible irregular feminine endings: Ending: eur > euse   Noun: un danseur (dancer)Masculine singular   un danseurFeminine singular   une danseuseMasculine plural   des danseursFeminine plural   des danseuses, Ending: eur > rice   Noun: un acteur (actor)Masculine singular   un acteurFeminine singular   une actriceMasculine plural   des acteursFeminine plural   des actrices. Rural France in this telling prospers during the war, becoming more productive as it becomes more modern. Such rushes of emotion are to be feared. They were, however, anything but appreciative of how the film depicted the doughboys of the American Expeditionary Force. He returned wounded from the war but emotionally crippled by his mother's betrayal. Just as we settle to what we feel is predictable feel good, another grenade is lobbed into the room. Like his award-winning Cistercian terrorism drama Of Gods and Men, Beauvoir collaborates with veteran cinematographer Caroline Champetier. Not a scene. The film meticulously details the changing face of agriculture and society in France. During his furlough, Georges, Hortense's youngest son, falls in love with Francine, even though everyone is the small community expects that he will marry Marguerite (Mathilde Viseux) whom he has known since they were both children. Everyone is damaged and the rules no longer apply. An austere corrective to more than a century of under-representation, “The Guardians” tells the other side of the story, focusing on the home front and the women — characters so often defined in relation to male soldiers, as mothers, wives, girlfriends, and children — who shouldered the burden of keeping French farms running while the men were away. It was stark and not made as a crowd pleaser and I admired him for it. Hortense sacks Francine, offering a reference and two month's pay. (This may be a spoiler, but you’ll never see another movie featuring not one but two scenes of characters reacting joyfully to the arrival of a tractor. Receive small business resources and advice about entrepreneurial info, home based business, business franchises and startup opportunities for entrepreneurs. https://www.thoughtco.com/introduction-french-nouns-1368884 (accessed January 26, 2023). 'Of Gods and Men' director Xavier Beauvois recounts a seldom-told chapter of WWI history concerning the role women played on the home front. Este es un director que no me llega a transmitir. une cage, une image, une nage, une page, une plage, une rage, un avion, un bastion, billion, un million, un lion, un scion. Despite her affection and respect for Francine, Hortense lies about her virtue to dissuade son Georges from marrying her. Many of the more interesting characters in the book are omitted, along with half of the setting - the people who live on the waterways. But then the narrative takes a distinctly Thomas Hardy turn. But Francine is an outsider, and the courtship enrages Marguerite (Mathilde Viseux), a longtime intimate of the family who had regarded herself as his intended. On either side of a card announcing the year as 1915 are two shots, presumably from two separate regions of France but by implication simultaneous. It stars Iris Bry as Francine, an orphan who works at a family farm while the men are at the front in WWI. Strong dramatic film about French Civilians in WWI, Beautiful, subtle film about women's day to day during First World War, Slow, supremely beautiful, well worth watching, Nontraditional Female World War I Characters, France as you've never seen it and introducing Iris Bry, The uncluttered purity of French dialogue.
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